Digital
Recorders
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702
The two-track 702 opens the doors to portable high-resolution,
24 bit, high sampling rate, file-based audio recording. The
702 records to removable Compact Flash only. Its field-tested
all-metal chassis weights about two pounds. It is powered from
standard Li-on camcorder batteries or external 10–18 VDC.
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702T
The full-featured time code implementation of the 702T is
designed specifically for dual-system film and video
productions where audio needs to be master. Plug in an
external keyboard using the
CL-1 and be equally at home in the bag or on the
cart. The 702T records to removable Compact Flash only. The
two pound 702T is powered from standard Li-on camcorder
batteries or external 10–18 VDC.
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722
The 722 is the ultimate DAT upgrade. The two-track 722 breaks
limitations of 16-bit DAT and opens up the world of
high-resolution 24 bit, 192 kHz (sampling) audio recording.
The 722 records to an internal 40 GB hard drive or removable
Compact Flash (or both). The sub-three pound 722 is powered
from standard Li-on camcorder batteries or external 10–18
VDC.
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744T
The 744T is a compact, high-resolution four-track digital
audio recorder with time code. It records and plays back four
tracks of 16 or 24 bit audio to its internal 40 GB hard drive
or Compact Flash medium. With sample rates between 32 kHz and
192 kHz plus full read/write time code, the 744T is the
perfect tool for any critical recording environment — from
over-the-shoulder to cart-based production.
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Field Mixers
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302
The 302 is stunning in size, flexibility, control and
performance; it is the most compact and cost-effective
battery-powered professional audio mixer in its class. With
important features to accommodate nearly any over-the-shoulder
production, the 302 interfaces with any professional
microphone, wireless system, and camera / recorder input.
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MixPre
The MixPre is great for use with small format digital cameras
for superior audio quality! Feature packed, portable,
two-channel microphone preamp/mixer. With pan switches, 1 kHz
tone oscillator, and slate mic. Includes 48-volt phantom, high
performance metering and headphone monitoring. Powered
from 2 AA or external DC.
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442
The 442 Field Production Mixer sets a new standard for
functionality, size, and performance for portable audio
mixers. Its design was driven by the requirements of
professionals in film, TV news, documentary, radio, effects
recording, and music production.
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442N
The 442 Nordic (442N) Field Production Mixer is virtually
identical to the 442, with the exception of its Nordic scale
PPM meter instead of the SMPTE-based peak meter on the 442.
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Microphone Preamps
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MM-1
The MM-1 combines two essential production functions —
microphone preamplification and headphone monitoring — in
one compact product. The MM-1 is a no-compromise,
studio-quality microphone preamplifier with phantom power,
high-pass filter, and built-in limiter. With its monitoring
function providing fold-back of preamp audio and external
monitor audio, the MM-1 is at home in the most complex
broadcast remotes, theatrical productions, and intercom
setups.
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MP-1
The MP-1 is a portable, single channel, battery powered
microphone preamplifier with 20 Hz – 50 kHz bandwidth and
>120 dB dynamic range. Features include 48-volt and 12-volt
phantom power, high pass filter, limiter, transformer-balanced
input and output. Powered by 2 AA batteries.
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Computer Audio
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USBPre
The USBPre is the complete, portable hardware interface for
PC-based digital recording. Quickly and easily interfaces
microphones, musical instruments, line level, and digital
audio with personal computers. Designed for USB-equipped
Macintosh® OS and Windows (98SE®
/ ME / 2000® / XP) computers. Version 1.5
hardware includes S/PDIF coaxial I/O to the analog inputs.
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Headphone Amps
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HX-3
The HX-3 Headphone Amplifier allows you to add headphone
outputs to any piece of gear. It quickly and simply provides
three high-current stereo headphone feeds with individual
level controls. Great for radio, television, and film
production applications.
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MM-1
The MM-1 combines two essential production functions —
microphone preamplification and headphone monitoring — in
one compact product. The MM-1 is a no-compromise,
studio-quality microphone preamplifier with phantom power,
high-pass filter, and built-in limiter. With its monitoring
function providing fold-back of preamp audio and external
monitor audio, the MM-1 is at home in the most complex
broadcast remotes, theatrical productions, and intercom
setups.
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